Books and articles
BOOKS
Gagaku no rizumu kozo: Heian jidai sue ni okeru togaku kyoku ni tsuite (Rhythmic structure of gagaku; focusing on tôgaku pieces in the late Heian period), Tokyo: Daiichi Shobo, 1996. ISBN: 4-8042-0102-5.
Gagaku no 'kindai' to 'gendai': keishô, fukyû, sôzô no kiseki (The 'modern' and the 'contemporary' in gagaku: continuity, dissemination and creative renewal). Tokyo: Iwanami shoten. 2010. ISBN:4-8042-0102-5.
Gagaku wo kiku: hibiki no niwa e no izanai (An invitation to gagaku: the topos of ancient and new reverberations). Tokyo: Iwanami shoten, 2011. ISBN978-4-00-431302-1.
NEW !
Reirin gakuyu: Shiba Sukeyasu to gagaku no gendai (The universe of Sukeyasu Shiba: gagaku in the contemporary music scene). Tokyo: Artes Publishing. 2017. ISBN 978-4-86559-173-6- C1073
What the Doctor Overheard: Dr. Muller's Account of Music in Early Meiji Japan. Translated, edited, with preface and a Postface by Elizabeth Markham, Naoko Terauchi, and Rembrandt Wolpert, Ithaca: Cornell University East Asian Program, 2018. ISBN 9781939161659 Awarded Bruno Nettl Prize (Society for Ethnomusicology)
BOOK CHAPTERS
Nippon Min'yo Taikan (Okinawa-Amami) : Miyako Shoto-hen (A Survey of Japanese Folksongs; Okinawa-Amami Islands: Miyako islands)(co-authored), Tokyo: Nippon Hoso Shuppan Kyokai, 1990.
Nippon Min'yo Taikan (Okinawa-Amami) : Amami Shoto-hen (A Survey of Japanese Folksongs; Okinawa-Amami Islands: Amami islands)(co-authored), Tokyo: Nippon Hoso Shuppan Kyokai, 1993.
Nihon no oto no bunka (Culture of Japanese Sounds)(co-authored),Tokyo: Daiichi Shobo, 1994.
Eisa 360 do: rekishi to genzai (Eisa in 360 degrees: its history and today)(co-authored), Okinawa-shi kikaku-bu heiwa bunka shinko-ka ed., 1998.
Nihon no dento geinou no miryoku (vol.1) (co-authored), Tokyo:NHK software, 2003.
Geijutsu, bunka, shakai: geijutsu gainen no kakudai wo mezashite (Arts, cultures, and society), (Textbook for the University of Air) (co-authored), Tokyo: Hoso daigaku kyoiku shinkokai, 2003.
Geijutsu, bunka, shakai (Arts, cultures, and society) (2nd version), (Textbook for the University of Air) (co-authored), Tokyo: Hoso daigaku kyoiku shinkokai, 2006.
Kindai Nihon ni okeru dento ongaku no sai-ninshiki: gagaku no gosenfu-ka wo megutte (Recognition of traditional music in the modern period of Japan: focusing on the gagaku transcriptions with western notation), The report of the research project, grant-in-aid of scientific research 2000-2002, 2003.
Performing Japan: Contemporary Expressions of Cultural Identity (co-authored), J. Jaffe and H. Johnson, eds, Poole: Global Oriental, 2008.
Nihon no dentô geinô kôza: buyô, engeki(co-authored), Kokuritsu gekijô ed, Tokyo: Tankô sha. 2009.
Kanousei to shite no bunka jôhô riterashi (literacy) (co-authored), Tokyo: Hitsuji shobô, 2010.
Oto no mangekyô: ongakugaku ronsô. (co-authored), Tokyo: Iwata shoin, 2010.
Analytical and Cross-Cultural Studies in World Music (co-authored) . M. Tenzer; J. Roeder, eds, Oxford University Press, 2011.
Music, Modernity and Locality in Prewar Japan: Osaka and Beyond. (co-authored). Hugh de Ferranti; Alison. Tokita, eds, Surrey: Ashgate Publishing, 2013.
A history of Japanese Theatre, Jonah Salz, ed, Cambridge University Press, 2016.
ARTICLES
Nanto uchimonofu kifuho ni kansuru
ichi kosatsu: gakusho to uchimonofu no setten (Notational system employed in
scores for percussion of the Nara tradition: the relationship between
percussion scores and theoretical treatises), Ongakugaku 33(2): 115-127,
1987.
Amami-oshima Tatsugô-chô Akina no
'hachigatsu odori' ( 'Hachigatsu odori' dance in Akina district, Tatsugô-town,
Amami-ôshima island), Okinawa Geijutsu no Kagaku (Bulletin of Research
Institute of Okinawa Prefectural University of Arts) 5:43-149, 1992.
Zamami-son Aka no nenchû gyôji:
'hamauri' wo chûshin to shite (Annual events in Aka district, Zamami Village of
Okinawa; focusing on seaside picnic 'hamauri', Okinawa Geijutsu no
Kagaku 6:35-102, 1993.
Gagaku tôgaku-kyoku no hensô ni
kansuru ichi kousatsu: Jinchi yôroku ni okeru dôkyoku wo megutte (A study on
arrangement of tôgaku piece: concerning dôkyoku pieces in Jinchi yoroku),
Toyo Ongaku Kenkyu 56:1-28, 1993.
Tôgaku ni okeru 'Nobe' 'Haya' gainen no seritsu to sono
ongaku yoshiki: Kofu Ryoritsu no Maki wo tegakari to shite (A study on the
metrical specifications 'Nobe' and 'Haya' in the late Heian to
the early Kamakura periods: through an analysis of Kofu Ryoritsu no Maki),
Toyo Ongaku Kenkyu 60:1-19, 1995.
Los Angeles ni okeru Okinawa-kei
Amerikajin no geino katsudo: shin 'eisa' to ekizochishizumu (Performing arts
among Okinawan-Americans in Los Angeles: new eis and exoticism), Okinawa
Bunka 87: 51-67, 1997.
Tôgaku to saibara ni okeru wagon no yôhô: Ayanokoji-ke kyuzo
gakufu wo tegakari ni (On the function of wagon (zither) in saibara
and tôgaku; observations in light of an analysis of sources of the
Ayanokôji family), Toyo Ongaku Kenkyu 63:16-35, 1998.
Kindai ni okeru gagaku no 'fuhenka':
Konoe Naomaro no gyôseki wo chushin ni (Modernization of gagaku;
focusing on Konoe Naomaro's Achievement), Kokusai Bunkagaku Kenkyu
12:19-49, 1999.
Hawaii no Okinawa-kei bon odori: diasupora no geinô ni okeru
sho-yôso no jûsô kôzô (Okinawan bon odori in Hawaii: multi-layered
structure of performing arts in diaspora), Okinawa Bunka 91: 1-33
(98-130), 2000.
Tokyo Ongaku Gakkô Hôgaku Chôsa
Gagari 'Gagaku Kifuhô Hikae' ('Notes on notating gagaku' made in the
Institute for Investigation of Japanese Music, Tokyo Music School )", Nihon
Bunkaron Nenpo 3: 1-19, 2000.
A Reconsideration of the traditional terms oze and yuri in tôgaku,
as concepts concerning temporal structure. Ongakugaku (Journal of the Musicological
Society of Japan) 46/1:26-39,2000.
A tentative reconstruction of tôgaku
of the late 12th century: focusing on the temporal aspect. 2001 PNC Annual
Conference & Joint Meetings 15-20 January, 2001, Hong Kong (CD-ROM).
Nijusseiki ni okeru gagaku no tempo
to furêzingu no hnyou: Gaisberg rokuon to Hôgaku chôsa gagari no gosenfu (Tempo
and phrasing of gagaku in the beginning of the twentieth century: based
on the analysis of the recording by F. Gaisberg and the transcription by Hôgaku
chôsa gagari). Kokusai Bunkagaku Kenkyu: 17:85-11,
2002.
The meaning of recent changes in bon odori: choices made by the people of Okinawan origin in Hawai'i. Ongakugaku 48/3:
207-221, 2003.
Western impact of traditional musics:
"reform" and "universalization" in the modern period of
Japan. Journal of Chinese Ritual, Theatre and Folklore 141: 13-53, 2003.
Umi wo wataru Okinawa no uta to odori
(Okinawan dance and music traveling beyond the ocean. Asia Yûgaku 66:
70-81、Tokyo:
Bensei shuppan, 2004.
Edo jidai ni okeru ryûteki shôga ni
kansuru ichi kôsatsu (A study on the shôga score of ryûteki flute
in the early Edo period). Kokusai bunkagaku kenkyû 22 & 23：1-27,2005.
Nijusseiki shotô ni okeru atarashii
'nihon ongaku' sôsei no kokoromi: Tôgi Tetteki no 'Shin-kokumin-gaku' (A
creation of 'Japanese music': an idea of 'new national music' by Tôgi Tetteki).
Nihon bunkaron nenp 8: 33-52,2005.
Nihon bunka no tenji: 1884 Rondon
(London) eisei bankoku hakurankai ni tenji sareta nihon no ongaku shiryô
(The way of presenting Japanese culture: the musical instruments and documents
displayed in the World Hygiene Exposition in London 1884). Kokusai bunkagaku
kenkyû 24: 1-29, 2005.
Taishô shoki no fukugen kenkyû: Tôgi
Tetteki no 'Enkyoku no kenkyûteki fukkatsu' wo megutte (Historical meaning of a
research on "enkyoku" by Tôgi Tetteki in the beginning of
Taishô period). Nihon bunkaron nenpô 9: 1-16, 2006.
Kokuritsu gekijô no gagaku 'fukugen' purojekuto (project) ni okeru
'dentô' he no chousen (A challenge to the gagaku tradition: the
'reconstruction' project of National Theater Japan). Kokusai bunkagaku kenkyû
27:51-81, 2007.
'Chintai' to 'fukyû' to iu gensetsu:
zasshi "Gagaku" kara shirareru Gagaku fukyûkai no katsudou to sono
igi._ (Activities of Gagaku fukyûkai: the discourses of 'stagnation' and
'dissemination' of gagaku). Nihon bunkaron nenpô 10: 47-75,
2007.
1940 nendai zenhan no gagaku rokuon ni okeru tôgaku no tempo: Kokusai
Bunka Shinkôkai seisaku record "Nihon Ongaku-shû" wo megutte 'Tempo
and phrasing of the gagaku in 1940s: focusing on the 78-rpm records 'The
Album of Japanese Music' produced by Kokusai Bunka Shinkôkai). Kokusai bunkagaku kenkyû
30:1-29, 2008.
Mou hitotsu no gagaku denshou:
Garyô-kai to Osaka kindai (Another gagaku tradition: Garyôkai and modern
period of Osaka). Nihon bunkaron nenpô 12: 1-22, 2009.
Edo jidai ni okeru gagaku denshou no
ryûha (josetsu): Keichô hachinen Kyoto gakunin chizu (Schools of gagaku
traditions: mapping musicians in 1603 Kyoto). Nihon bunkaron nenpô 13:
21-42, 2010.
Tôgi Kaneyori sen "Ryûteki suien no koto" to Edo jidai shoki no ryûteki no keitou (The musical treatise "Ryûteki suien no koto" and the schools of the ryûteki flute tradition in the Eearly Edo period. Kokusai bunkagaku kenkyû 34: 1-43, 2010.
Edo jidai no gakke to ongaku denshô no aidentiti (identity): ryûteki to hichiriki no shôga wo chûshin ni (Family lineage and musical tradition in the Edo period's gagaku: focusing on mnemonic sounds of ryûteki and hichiriki. Kokusai bunkagaku kenkyû 37: 44-49, 2011.
Keiougannen saikou Gion rinjisai dokyumento (document): geinou ni shouten wo atete (A document of the revived Gion rinjisai in 1865: focusing on performing arts). Nihon bunkaron nenpô 15: 15-43, 2012.
A study on "Einige Notizen über japanische Musik" written by Benjamin Karl Leopold Müller. Kokusai bunkagaku kenkyü. 40: 25-72. 2013.
Gendai baree (ballet) "Kaguyahime" wo meguru shoron: nihon no gakki wo mochiiru ongaku no ninshiki ni tsuite (A study on a contemporary ballet piece "Kaguyahime": how performers recognize Japanese sounds). Kokusai bunkagaku kenkyü. 41: 55-85. 2013.
Robert Grafias-shi ni kiku (An interview with Robert Garfias). Nihon bunkaron nenpô 17: 41-75, 2014.
Gakunin no ryouchi kenbun: shishutsu shiryou Heguri-cho "Shimogawara-ke monjo" yori (A study on gagaku musicicians' economic activity as feudal lords: referring to the newly discovered documents of Shimogawara family in Heguri town). Kokusai bunkagaku kenkyü. 43: 47-101. 2015.
Nagoya ni okeru gagaku densho no ichidanmen: bakumatsu kara Meiji e (A study on the gagaku tradition in Nagoya: from late Edo to early Meiji periods). Nihon bunkaron nenpô 18: 17-53, 2015.
Ekkyou suru gagaku: kaigai no daigaku karikyuramu ni oteru nihon dento ongaku (Gagaku crossing boundaries: Japanese traditional music in the ethnomusiclogical programs at universities abroad) Kokusai bunkagaku kenkyu. 44: 1-28. 2015.
Edo jidai no gagaku densho: gakunin to gakudan no aidentiti (identity) no kanten kara (An analysis on the gagaku tradition in the Edo period: focusing on performing context and musicians' identity). Meiji seitoku linen gakkai kiyou (Meiji Japan Society) . 52: 116-187.
Interview with Robert Garfias. Kokusai bunkagaku kenkyu. 46: 91-120. 2016.
Chiran-taihei no hibiki: Kigen nisen roppyakunen shinsaku bugaku "Yûkyû" and "Shôwaraku" (Sounds of 'war and peace': new bugaku pieces "Yûkyû" and "Shôwarak" created for Kigen nisen roppyakunen in 1940). Tôyô ongaku kenkyû. 81: 1-24. 2016.
'Be a costume hanger' : the aesthetics of imperial bugaku dance of Japan. Kokusai bunkagaku kenkyu. 49: 83-103. 2017.
Dento geino wo toru: Kokusai bunka shikokai seisaku bunka-eiga "Bugaku." (Filming a traditional performing art: a cultural film "Bugaku" produced by Kokusai bnka shinkokai (KBS)). Kokusai bunkagaku kenkyu. 51: 1-19. 2018.
Edo-jo ni okeru bugaku joen no kiroku: Diaei hakubutsukanzo "Bugaku-no-zu" to gaka no me. (A record of Bugaku performance at Edo Castle: "Bugaku-no-zu" preserved at British Museum and the painter's focus). Nihon bunkaron nenpô 22: 9-44. 2019.
AUDIO-VISUAL MATERIALS
Japanese
Traditional Music: Gagaku, Buddhist Chant Kokusai Bunka Shinkokai 1941 (CD, annotation). New York:
World Arbiter Records, 2008.
Japanese
Traditional Music: Noh, Biwa, Shakuhachi. Kokusai Bunka Shinkôkai 1941. (CD annotation) New York: World Arbiter Records. 2009.
Japanese Traditional Music: Koto Shamisen. Kokusai Bunka
Shinkôkai 1941. (CD annotation) New York: World Arbiter Records. 2011.
Japanese Traditional Music: Shamisen and Songs. Kokusai Bunka Shinkôkai 1941. (CD annotation) New York: World Arbiter Records. 2013.
Japanese Traditional Music: Songs of people at work and play. Kokusai Bunka Shinkôkai (CD annotation) New York: World Arbiter Records. 2016.